Darin Vorobyova

Endurant is a font inspired by futuristic conceptual arts from the late-20th century. The question it answers is, "What if someone in the late 20th century were to imagine a futuristic font?"

Endurant is a brave, all-caps display font. Because of what it's inspired by, it is suitable for futuristic and retro-modern designs in the modern-day world.

It can be used for graphic design, poster design, web and mobile UI design—and many other applications.

Thierry is an elegant signature script font. This versatile script font has a wide spectrum of applications ranging from logotype, product branding to headlines. Add a romantic feel to your next project with this modern calligraphy-styled font.

So what's included :

• Basic Latin A-Z & a-z
• Numbers, symbols, and punctuations
• Ligatures
• Accented Characters : ÀÁÂÃÄÅÆÇÈÉÊËÌÍÎÏÑÒÓÔÕÖØŒŠÙÚÛÜŸÝŽàáâãäåæçèéêëìíîïñòóôõöøœšùúûüýÿžß

Thank you

Galpike Sans is a neat and clean variable font. The typeface is versatile to blend in your design- with 9 weight, ranging from regular, medium, thin, bold, semibold, extrabold, light, extralight and black & 18 styles + variable type to touch a lot of personality. Perfect anywhere you need a right finas touches for branding, publishing, titles, book, magazine , and use on UI/UX design.

Features:

• Variable Font
• uppercase & lowercase
• numbers and punctuation
• multilingual
• 9 weight & 18 Style
• PUA encoded

More about variable fonts : https://creativemarket.com/blog/what-is-a-variable-font

if you have any questions don't hesitate to send our email at letterhend.com/tutorials/using-opentype-feature-in-any-software/

The Mokgech typeface is inspired by cool old style blackletter letters. Mokgech typeface has many alternative characters such as swash, ligature and a choice of several characters from uppercase or lowercase letters. In addition, the Mokgech font is also equipped with an italic version. It is suitable for gothic, tattoo, serious and horror themed designs.

Can be used for the design of alcoholic beverage packaging, tattoo, pomade designs, barbershops and so on with the Victorian classic concept.

Apart from that this font is very easy to use in both design and non-design programs because all alternates and glyphs are supported by Unicode (PUA).

Hello Everyone, introduce our new product Headbears - Sport Display, inspired by the title of the sports poster and We make it very energetically. Headbears font with strong and challenging nuances. very suitable for the title, typography, Poster, magazines, brochures, packaging,Websites and much more for your design needs, making your designs more modern and professional.

Soulections is a Signature Script font. With bold stroke, slanted and fun character with a bit of ligatures. To give you an extra creative work. Soulections font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Soulections font.

Cheers,

MaulanaCreative

Here’s a novelty font emulating the plastic pennant streamers that were popular in the 1950s and 1960s used to decorate a store parking lot or used car lot for a sales event.

The typeface inside the individual pennants is Manufacturer JNL, which can be used for body copy associated with titles made by this font.

Parking Lot Sale JNL is available in regular (black letters on white pennants) and black (with white letters). A blank pennant for word spacing or end caps is available on the backslash key.

Erle Stanley Gardner’s beloved lawyer “Perry Mason” first appeared on screen in a series of six films with Warren Williams starring in four of them. The hand lettered opening title for 1935’s “The Case of the Lucky Legs” is a classic Art Deco sans serif design, and is now available as Courtroom JNL in both regular and oblique versions.

A beautiful and stylish pen lettered alphabet appears within the pages of the 1921 publication “How to Write Show Cards” and its Art Nouveau stylings made it a perfect candidate for a digital revival.

Pleasant Show Card JNL is available in both regular and oblique versions.

The hand lettered opening title for the 1935 movie “Thanks a Million” is rendered in a condensed, thick and thin Art Deco sans serif design.

It is now available as the digital typeface Stocks and Bonds JNL – in both regular and oblique versions.

Whatever the medium, Girard’s love for typography was the common thread that wove his work together. We are honored that the Girard family has entrusted us to celebrate and expand upon the legacy of this design icon with this collection of fonts. The Girard Slab family gracefully synthesizes illustrative sensibilities into a practical typographic framework. Slab’s three widths and four weights ensure versatility in a modern editorial setting while its gentle curves transcend the sterility of traditional typography to add an unprecedented warmth and personality. From boutique chocolate packaging to the titling sequence for an indie vegan superhero cartoon, Girard Script deftly adds a contemporary sophistication to text and display settings. Inspired by a workhorse lettering style that helped Alexander Girard implement thousands of design elements in his overhaul of the Braniff identity system, Girard Sky pulls its weight in any contemporary application. In Girard Sansusie, each character stands alone as an illustrative element while coming together with its counterparts as a whimsical yet functional typeface.

FEATURES:

• The ligatures feature substitutes specially-drawn letter combinations that combine two, three or even four characters to create smoother transitions and simulate lettering sensibilities.
• Girard Slab’s three widths and four weights ensure versatility in a modern editorial setting while its gentle curves transcend the sterility of traditional typography to add an unprecedented warmth and personality.
• Copious alternate characters and “smart” OpenType programming allow Sansusie to escape the rigid confines of typography to come alive as if flowing from Girard’s sketchpad. This animation shows a sampling of the swash characters available in the font.

GIRARD CREDITS:

• Typeface Design: Alexander Girard, Ben Kiel, Ken Barber, Laura Meseguer
• Typeface Production: Ben Kiel
• Typeface Direction: Christian Schwartz, Andy Cruz, Ken Barber

Like all good subversives, House Industries hides in plain sight while amplifying the look, feel and style of the world’s most interesting brands, products and people. Based in Delaware, visually influencing the world.